For immediate release
 
August 26, 2010
 
Newly discovered color photos of old Bunker Hill bring lost Los Angeles back to life
 
WHAT: Archival quality prints are now available of the long-lost 3-D color photographs of the historic Bunker Hill neighborhood taken by vaudeville star George Mann in the 1950s and 1960s
ONLINE PHOTO SHOP: http://www.onbunkerhill.org/georgemannshop
PRICE: Single archival quality prints are $40, sets of four cost $125, and the 29-photograph portfolio is $825 (all prices US).
HISTORICAL BACKGROUND: http://www.onbunkerhill.org/georgemann
 
LOS ANGELES- The lost Victorian neighborhood of Bunker Hill was demolished fifty years ago in a misguided urban renewal project, but a newly discovered set of incredible color photographs taken by ex-Vaudevillian George Mann shortly before the bulldozers came has local history buffs all a-buzz.
 
And now, two months after their debut on L.A.'s time travel blog On Bunker Hill and a passionate discussion thread on local architecture blog Curbed, On Bunker Hill in association with Esotouric and the George Mann Archives makes these astonishing photographs available to an eager public. Single archival quality prints are $40, sets of four cost $125, and the 29-photograph portfolio costs $825 (all prices US). This is just the first in a series of George Mann's previously unseen mid-century California photographic portfolios. Coming soon: circus scenes, the poignant land-buying frenzy at failed Southland developments The Salton Sea and California City, and sweetly risqué nude pinup photos in color and black and white.
 
Taken in 1958 and 1962 by former Vaudeville star George Mann (half of the comedy acrobatic dance troupe Barto & Mann) for placement in the 3-D viewing machines he manufactured and distributed to Southland bars and restaurants, the 26 stunning Bunker Hill images include several photographs of the Angels Flight Railway in its original location, iconic Grand Avenue mansions-turned-rooming houses The Richelieu and The Castle, and everyday scenes of Bunker Hill residents combing their cats and enjoying the sunshine against a backdrop of gorgeous Victorian architecture. Also included in the Bunker Hill portfolio are three interesting downtown shots: the Sentous Building that Olvera Street's Christine Sterling vainly sought to save, the moody Sawyer Apartments, and spiritualist quack Victor Segno's exotic American Institute of Mentalism.
 
George Mann's Bunker Hill photos were discovered in his archives by daughter-in-law Dianne Woods, who says, "I manage the George Mann Archive full time, I love his images -- it's personal. When I recently stumbled upon the photographs that George shot of Bunker Hill it was so clear that I had 'something.' I was on the internet looking for a home even before I had them scanned.  Kim Cooper's blog On Bunker Hill is, of course, that home.  I'm almost never wrong when it comes to the impact of George's photographs, and the Bunker Hill images have been no exception. It is a complete thrill for us, and we know it would have been for George, to contribute this bit of time-travel to the Bunker Hill community." And George Mann's son Brad Smith adds, "What fun it's been for us to watch the interest in George's photographs grow. We enjoy so much sharing these wonderful Los Angeles images with those who seem to get as much pleasure from George's work as we do. We've said so many times, 'If only George were here to see this!'"
 
On Bunker Hill contributor Nathan Marsak (author of "Los Angeles Neon") raves, "Any new collection of Bunker Hill images would be an important find, but the scarcity of color images means historians will see the Hill with fresh eyes.  Of course the vibrant beauty and immediacy of Mann's work will lead new folk to the subject, further widening the scope of people who discover Los Angeles's lost acropolis," while Jim Dawson (author of "Los Angeles's Angels Flight") calls them, "A photographic trove of breathtaking new angles of Bunker Hill that brings its Victorian and early twentieth-century neighborhoods alive again."
 
And John H. Welborne, president of the Angels Flight Railway, notes, "The George Mann color photographs of Bunker Hill, like the colorful 1960s paintings by Leo Politi, record a now-lost neighborhood of classic architecture and diverse and interesting residents. In the post-1980s world, so many of these buildings and people would not have become the victims of 'urban renewal,' as happened in the 1950s and 1960s. Today, the best of the past more often can be incorporated into 'redevelopment.' But our original -- and real -- Bunker Hill is gone. Today, the little Angels Flight Railway, also well depicted by George Mann in his photographs, is all that remains."
 
To see George Mann's rediscovered Bunker Hill photographs and learn about his fascinating career that took him and his diminutive sidekick Dewey Barto (real-life pop of TV's "Rhoda's" mom Nancy Walker) from the stages of west coast vaudeville to the Great White Way, including a featured place in the smash show "Hellzapoppin'" and rare film of their act, visit the On Bunker Hill blog at  http://onbunkerhill.org/georgemann
 
Also featured in the blog post are film noir-style photographs of George Mann's model bride Barbara Bradford, and links to Mann's collection of historic theatre marquee photographs (many featuring his name) and stunning photos taken all across mid-century America and Europe.
 
ABOUT BUNKER HILL and the ON BUNKER HILL blog: Bunker Hill in the 1870s was early Los Angeles' most distinguished address, an enclave of grand Victorians, gorgeous gardens and clear-skied views out to Catalina and beyond. By the 1910s the wealthy had moved on, and the Hill's mansions became rooming houses. Up on the Hill, life moved at a different pace. Writers Raymond Chandler, John Fante and Charles Bukowski came and were captivated by the place. Painters Leo Politi, Kay Martin and Millard Sheets made its rotting hotels and sad-eyed residents the subject of their art. And down at City Hall, planners schemed about how Bunker Hill could be declared a slum, its old houses pulled down, its people moved along, leaving a blank slate where skyscrapers could grow. By 1970, Bunker Hill was a field of dirt. In 2008, the time travel bloggers of 1947project turned their attention to Bunker Hill. Over a year, the blog grew into a house-by-house survey of the great old downtown residential neighborhood that was demolished to create the high rise district that shares its name, but none of its charms. The blog's contributors, including authors, historians, librarians and tour guides, delved deep into historic archives to uncover the most fascinating tales of more than a century of life on Bunker Hill. 1947project is the brainchild of Kim Cooper, pop music historian ("Bubblegum Music is the Naked Truth"), tour guide (Esotouric bus adventures) and  preservation activist (Save the 76 Ball). She was joined ON BUNKER HILL by author Nathan Marsak, LAPL history librarian Mary McCoy, Esotouric's Joan Renner, LAPL photo collections manager Christina Rice, Esotouric's Richard Schave and author John Toomey.
 
For more info about ON BUNKER HILL, please visit http://www.onbunkerhill.org
 
Explore Lost Downtown Los Angeles on these upcoming Esotouric bus adventures: Hotel Horrors & Main Street Vice (September 11); Raymond Chandler's Los Angeles (November 6); The Lowdown on Downtown (August 28); The Real Black Dahlia (September 25). More info at http://www.esotouric.com
 
On Bunker Hill founder Kim Cooper and the blog's contributors including Nathan Marsak are available for interviews, as is historian Jim Dawson, John H. Welborne of Angels Flight Railway, and George Mann's archivist daughter-in-law Dianne Woods and his son Brad Smith. To schedule interviews, contact Kim Cooper, amscrayATgmailDOTcom, 323-223-2767.